Carl Clottey laments lack of financial support from the church
Gospel artiste Carl Clottey has expressed disappointment over the lack of financial support from churches, despite their role as a major platform for gospel musicians in Ghana. He calls for better investment in gospel artistry to sustain the message of faith.
Renowned Ghanaian gospel musician Carl Clottey has openly expressed his frustration over what he describes as the disappointing lack of financial support from churches for gospel musicians. In a candid interview on a local Christian radio program, Clottey revealed that many gospel artistes struggle to survive financially, even though they dedicate their talents to promoting the Christian faith.
According to Clottey, churches, which often serve as the primary platforms for gospel music performances, tend to overlook the financial needs of the very artistes who elevate their worship experiences.
“It's painful when the very institution we dedicate our lives and voices to does not see the need to invest in our ministry,” he said. “We are not just performers — we are ministers too. Gospel music is not just entertainment; it’s a calling.”
Carl Clottey, known for songs such as "Di Wo Hene" and "One and Only," emphasized that many gospel musicians fund their own studio sessions, music videos, promotions, and even ministry events, all without consistent financial backing from the church community.
He acknowledged that while some individual pastors and congregants occasionally lend support, institutional support from the church as a body has been minimal at best. “If churches truly value gospel music, then they must be willing to invest in it,” he added.
The gospel industry in Ghana has long faced challenges ranging from poor music distribution systems to limited corporate sponsorships. For many gospel artistes, the church remains the most natural partner — yet this partnership, according to Clottey, has become one-sided.
Clottey's comments have sparked renewed conversation on social media, with many fans and fellow gospel musicians echoing similar experiences and calling for reforms within the Christian creative ecosystem.
Church music directors and leaders have been urged to develop policies that not only promote gospel music as a spiritual tool but also support its practitioners economically. Suggestions include monthly stipends for church-based artistes, production funding, and organized platforms for gospel music distribution.
As Carl Clottey continues to minister and inspire through his music, his bold call to action may serve as a turning point in how the church engages with and sustains gospel talent in Ghana and beyond.
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