Carl Clottey Laments Lack of Financial Support from the Church

Ghanaian gospel musician Carl Clottey has voiced his deep concern over the lack of financial support gospel artistes receive from churches, despite their significant role in promoting Christian ministry through music.

Speaking in a recent interview, the “Di Wo Hene” hitmaker revealed the financial burdens many gospel artistes bear alone — from studio recordings and video production to promotions and event logistics. Clottey, who has been active in the gospel scene for years, believes the church, as the primary platform for gospel ministry, should do more than just applaud from the pews.

“It’s disheartening when the church enjoys your music, invites you to minister, but offers little or no support to sustain your calling,” he said. “Many of us fund our projects from our own pockets and get very little in return.”

Clottey emphasized that gospel music is not just about talent — it's ministry, and those called into it need both spiritual and financial backing to thrive. According to him, while a few pastors and individuals have been supportive, the institutional church has largely remained indifferent.

He further lamented how secular musicians often receive more structured industry support, sponsorships, and media promotion compared to gospel musicians — despite the latter’s contribution to national values, inspiration, and moral direction.

“We are not asking for luxury,” he clarified. “We are asking for fairness and the kind of support that empowers us to grow and give more.”

A Call to Action

Clottey’s remarks have sparked conversations within the gospel music community and among church leaders, with many agreeing that it's time for a shift in how gospel ministry is supported.

Some musicians and fans took to social media to echo similar experiences, calling for churches to:

• Set up gospel music funds

• Sponsor gospel concerts and recordings

• Regularly pay guest ministers

• Offer mentorship and training platforms

Church leaders have also been urged to see gospel artistes not as service providers, but as co-laborers in ministry who deserve to be honored and supported.

As the gospel industry evolves, Clottey’s plea serves as a wake-up call for churches to rethink their role in nurturing the very voices that help them worship, evangelize, and inspire their congregations.